It appears to be something of a psychological truism – unduly obvious, self-evident, trivial – to say that when we tell stories about ourselves and our world, we tell stories that will be “useful” to us. We tell stories that are interested in something. They are invested in the outcome. Perhaps not overtly, even consciously, but nonetheless, when we tell stories about the past, we put the past to work: on us, on those around us. It is a kind of self and world-fashioning that we do everyday.
Let me underline that this does not mean that everybody floats around in a bubble, not touching other people, other groups or communities, each living in isolation from th other. Our stories are fashioned in and by communities. And communities are fashioned in and by their relation with still other communities. The words we use are common. Our stories are negotiated. One could say, cautiously, that they are democratic.

Take, for example, the family photograph album. Typically, more than one photographer must contribute. If a mother takes photo’s of her children, then another, perhaps the father, must take photographs of the mother in order for her to appear. Or perhaps a stranger.
Later, gathered around the family album, a conversation takes place: who is this? What was happening then? Who took this photo? The story is pieced together again, and again, over and over. It is retold, perhaps embellished, perhaps reduced in size, significance and extravigance. New events, new photo’s change the rhythm, and topography of the story. But it is still a real story – see the photo’s? We were there, it happened, you and I can remember. Memory becomes inescapably intertwined with photographs, viewed on dozens of different occasions.
But notice: what happens when you stop making photograph albums? Or, your photograph “albums”, are actually files uploaded to Facebook, or Flickr, or a blog? The community has changed, the format has changed, the conversation has changed. The stories we tell are going to change, and the uses to which they are put, and their effects will change too.
It leaves me wondering what kind of stories I tell. It makes me think that it is worth making the time to remember, and to create albums, journals, records. What I’m talking about here is really tradition. Not in a negative or positive sense, but in a necessary sense. We will make traditions, for better or worse. The question is whether they are deliberate, or ad hoc.
Filed under: Family, Historiography, experiences, history, memory, technology , community narrative, family photo albums, family tradition, self-narrative, social structure of memory
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